Panavision's Genesis

The 'Genesis' is one of Panavision's higher-end digital movie cameras, which uses a full frame 35mm-width, 1.78 (16:9) aspect ratio, 12.4-megapixel RGB CCD. This is a full bandwidth (4:4:4) HD SDI camera with improved colorimetry and sensitometry-related specs and a Super 35-sized recording area. Thus makes it compatible with regular Cine Primo lenses and 35 mm depth of field. Unlike that 2/3" 3-CCD RGB imaging systemthat was used in the CineAlta, the Genesis uses a single 12 megapixel CCD chip with the same width (but not the same height) as a standard 35mm film frame. The main imaging module of the Genesis is made by Sony, but the exact relationship between the two companies is unclear to me, since that wierd joint partnership was dissolved in 2004 with Panavision's re-purchase of the 8% shareholding Sony bought in 2000.

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Panasonic AK-HC 1500G

2/3" 3-CCD 16:9 1080i/720p HD

($20,000 - $25,000)

The AK-HC1500G is our multi-diverse industry's first compact multi-format HD camera and offers compatibility with all of the world's HD formats. This compact, 3.3-pound camera is also the first multi-purpose unit to offer variable frame rates, like 4fps to 60fps in single-frame increments, and a CineGamma curve to produce film-like images. It works well with Panasonic's AJ-HDC27 VariCam HD Cinema camera for high-end productions. Or, if you got the itch, team it up with the AW-PH650 (pan/tilt in sealed housing) for outdoor application. This camera is compact enough to go practically anywhere, and is tailor made for jobs like studio use and weather forecasting, live sports, scientific image analysis, and even studio animation. Probably why they call it "mult-format".

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Red 'One'

($17,500 - body only)

When I first read about this thing, I wasn't sure what to make of it. Was I in for a shock! This camera is definitely state of the art. And it looks will deceive. First off...let me just say this - 4096 lines of resoution!!!! Yes - this thing shoots in 4k!!

The RED ONE is designed for any job, and it's diverse functionality keeps that promise. Weighing in at around 10 lbs, it's a streamlined package designed specifically to maximize your shooting options. Along with a 35mm PL lens mount, it allows you to take advantage of the worlds best optics. You also get the option of shooting true HD in 4:4:4 or 4:2:2. Or, you can revert to the Mysterium Super 35mm cine-sized (24.4 x13.7mm) sensor. With this feature, you'll get the same breathtaking Depth of Field and selective focus as found in film cameras! Modular and completely upgradable, the RED ONE camera is a "future-proof" aquisition system you can build upon. RED ONE's modular design means you can upgrade as new features and accessories, to improve system specifications are added. And, hey, it just looks cool too!

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